Saturday, February 18, 2017

What you get: Weirdbook #33

Weirdbook #33-What you get
            Quite frankly, this is overdue.
            I’ve dreamed (not ‘wanted,’ dreamed) of being a part of Weirdbook since I read the “first” issue volume #31. Since then I’ve gotten every issue, and have been a strong advocate for the magazine. Weirdbook is something that has stepped out of a time capsule, straight out of the heyday of pulps and into the modern era. It’s a grab-bag of themes and subjects, ranging from horror to historical fantasy to sword and sorcery. If Clark Ashton Smith were still around, he’d be contributing to this magazine.
            Being a part of issue #33 was more than a little overwhelming, and I can happily say that I will also be in another coming issue (which one and in what way, I cannot say, but the contract is signed).
            One of my favorite stories in this volume was also one of the quietest, “Teatime with Mrs. Monster” by James Aquilone. It’s the sort of story that is both simple and profound enough to stick with you in fleeting nightmares.  But there are also quite a few occult detectives in this one, ranging from the unreliable protagonist of “The River that Flows to Nowhere,” by John R. Fultz to “Trance Junkie’s” washed-up junkie detective courtesy of Brun Lombardi to Adrian Cole’s ever-popular Nick Nightmare. C. M. Muller’s “Diary of an Illness” tells the story of a particularly unique, particularly horrifying apocalypse as well. I could go on about these stories, but am running low on time. Suffice to say fans of sword and sorcery will not be disappointed.
            Now, the poetry:
            I loved Donald W. Schank’s prose poem “A Cure for Unrequited Love,” which reads like a cautionary fable. To say that I really enjoyed the contributions of Ashley Dioses and K. A. Opperman would be redundant. Of course I enjoyed those two, I always do. But let’s talk about Frederick J. Mayer, whose love of Clark Ashton Smith is a reverence that I have not seen paralleled in anyone else. This is someone who channels the power that Smith has more than any other writer I can recall, the power to shock-and-awe with language. The poetry is at once silken and steel, a pointed dagger through an ornate curtain.
            My own meagre contribution came to me in my undergraduate career, on a night that I did not want to write a paper. “The Owl” has been read publicly in a few coffee shops, workshopped with a few friends and been a passion project of mine for about five years. It was wonderful to finally have it emerge on the pages of Weirdbook and I can only hope that it is enjoyed by its readers.

-S. L. 

Saturday, January 21, 2017

What You Get: Occult Detective Quarterly Issue 1

What You Get: Occult Detective Quarterly #1

Background: As with a few successful publications (Skelos, Ravenwood Quarterly), Occult Detective Quarterly began as a kickstarter project. It is published through Electric Pentacle Press, a project headed by Travis Neisler which encompasses Ravenwood Quarterly, Occult Detective Quarterly and the publication of chapbooks and novels. It has given the much beloved subgenre a home, and serves as an exploration of the limits regarding the figure of the Occult Detective.

About the editorial team: I first became aware of Sam Gafford and John Linwood Grant through Ravenwood. Sam Gafford’s story “Ink Spots” (Ravenwood 1) is an absolute monster of a haunted house story and John Linwood Grant’s “Preacher’s Tale” captures the tragedy and lyricism of Victorian-era horror. It is evident through their intro that both editors are quite devoted to their new venture.

“Got My Mojo Working” by David T. Wilbanks and William Meikle Gus is a detective. Gus has been affected by the occult, endowing him with considerable Mojo. Gus is a gorilla. This story was not only fun, but written well enough to wink and nod at all of the tropes while still being distinctly different from them. Gus is a breakout character, and I hope to see more of him.

“When Soft Voices Die” by Amanda DeWees Sybil is a struggling actress living in New York. She is young, and she is engaged and is a medium. A very ‘classic’ feeling tale with a very original character, distinctly different from Carnacki and Silence. Sybil is headstrong, empathetic and very much a force unto her own.

“Don’t Say I Didn’t Warn You” by Adrian Cole I’ve encountered Nick Nightmare in issues of Weirdbook previously, and it was honestly kind of strange seeing him in another publication. Adrian Cole’s world is one of urban fantasy, horror and parallel dimensions. In this story, Nick’s past comes back when a collector of strange things comes to him. The murder of a federal agent soon follows. The climax of this story is hard to forget and demonstrates the incredible imagination and vision of the writer.

“Orbis Tertius” by Josh Reynolds I know St. Cyprian is the queen’s detective in this one, but I cannot get over Ebe Gallowglass. She is a sardonic, short-tempered and trigger-happy Watson to St. Cyprian’s Holmes. The character steals the show, though the weird and horrifying mystery is enough to sell the story in of itself.

“MonoChrome” by T. E. Grau T. E. Grau’s Los Angeles is that of the insider. It is a segmented city, sewn together with streets and shops bursting with life. It encompasses an expansive and even monstrous geography. The city is only horrifying when it is quiet…and the slow creep of the horror over Los Angeles pays off in an ending which speaks to the dark history of the city itself.

“Baron of Bourbon Street” by Aaron Vlek This is how I would imagine Baron Samedi acting. Show-boating, theatrical, vengeful and somewhat petty despite the fact that he is our protagonist. The mortal protagonist, Alfonse de Cartier, is a relatable in his confusion and frustration, and knows enough about the city of New Orleans to capture its familiar and soulful spirit.

“The Adventure of the Black Dog” by Oscar Dowson Now this is what I often think of when I think of the Occult Detective.  A man of mystery, known through reputation more than anything else. A weird, unexplainable occurrence. The nods to Holmes and Watson are appreciated in this story, and the ending sets up future stories. I am curious to see where these characters go from here.


“OCCULT LEGION: ‘THE NEST’”  by William Meikle The first chapter of a serialized story. The atmosphere in this story is one of a cosmic, Lovecraftian dread, peppered with a haunted house and Scottish fog. I cannot quite tell what is going on yet, and will hold off on commenting further until I see future entries. 

Relevant Links:
Ravenwood #1: http://electricpentaclepress.bigcartel.com/product/issue-one

Ravenwood #2: http://electricpentaclepress.bigcartel.com/product/preorder-ravenwood-2

Occult Detective Quarterly #1: http://electricpentaclepress.bigcartel.com/product/pre-order-occult-detectives-quarterly

Occult Detective Quarterly Submission Guidelines: http://greydogtales.com/blog/occult-detective-quarterly/odq/

Monday, January 16, 2017

A Letter to Katie

A Letter to Katie 
By S. L. Edwards
Dear Katie,
            The question that you’ll be asking the most is, “Why?”
            I am ashamed to say that I don’t, and probably never will, have an answer good enough for you.
            What I do know is that all started with your mother.
            You’ll never be able to truly understand how much I loved her. The way we grew up, I was both her brother and her father. Neither of us ever talked about your grandparents, and it because we never knew them ourselves. They were killed when I was 11 and your mother was 4. My father, Raul, was big, strong and (I believe) a good man. You’ve probably only ever seen one picture of your grandmother, Juana, who died when she was 32.
            I remember her face, right before she hid us.
            She was smiling, though it was obviously hard for her to do so. Her smile was something weak and strong all at once, if you can imagine that; A resolute façade ruined by weeping, wide eyes. She folded a photo of all of us into my hands, stroked your mother’s hair and put a finger to her lips.
            “Shh,” was the last thing she said to us.
            Not “I love you,” though we knew she did. Not, “take care of each other,” though she knew we would.
            Only a simple demand that kept us alive.
            I don’t know where the soldiers took them, where they executed them. But I remember the yelling, the screaming and weeping. They never looked for us, those soldiers. I don’t believe that they knew what or who they were looking for, only that they were ordered to kill anyone who put up a fight. Anyone with certain books on their shelves and anyone who had ever known names on a secret, fatal list.
            But our parents never came back.
            Gabbi and I slept under the floor for two days, drinking the rainwater that seeped through.
            I try not to remember what came next. I don’t like talking about it. Sometimes, it is good to leave things behind, especially when there is so little to learn from them.
            What can I tell you, that it is easy for an 11-year-old to grow up overnight? It is. Your mother and I dodged bullets, we slept in trees, we buried ourselves in the dirt next to dead bodies in the hopes that soldiers would look us over. Jaws were open wide on both sides, the rebels and the government alike had their arms aimed at any and everyone in the countryside. We heard that the cities were safe, but then there were stories about war-orphans who were picked up by black cars and never seen again. Stories about boys who were forcefully tattooed by carnivorous alleys, and little girls who became at once mature and broken in the matter of hours.
            So, we rode the train into this country.
            Your mother never did anything wrong in coming here. But I won’t lie to you. Not now, and not ever.
            To keep your mother safe, I did many, many things that a man should never do.
I stole, I lied.
I killed, Katie.
Do not ever let anyone tell you that this country is not great. We found an aunt of ours, Tia Carla, and she did her best to raise children whose hearts were far too old. Tio Adolfo died before we came here, a car accident with a drunk driver.
Over time, Gabbi became a girl again. She was young enough to adjust from what she had witnessed. She brushed the hairs of dolls, she made her room pink, she giggled and laughed when she teased her “too serious” brother.
I couldn’t follow her.
Tia Carla did her best by me, but I had already become someone else. I struggled in school when I was there, not understanding how I would ever need Math or Science. But I buried myself in learning English, in understanding the literature and history of the country that I so desperately wanted to be a part of. I forsook my mother tongue, divorced myself from my history entirely.
This broke Tia Carla’s heart, but I believe she understood.
I never wanted to go to college, to be anyone other than the man I was. But Gabbi, your mother, she had dreams. God, what beautiful dreams…to go to college, to so thoroughly understand all the charts and math that I found so useless, that she would command them.
“They’re not useless!” She told me once, angrily.
“You could be so much more if you understood them, Javi!”
She made me smile. No girlfriend, no wife ever made me smile the way my strong little sister did. And I believed that she would be worth more than both of us, worth every moment of horror that we endured.
Valedictorian. Medical School.
It was going well. And, if I had to wash dishes or fix cars so that Gabbi could afford a private tutor and SAT classes, well so be it. There was nothing that she couldn’t do, that I wouldn’t do.
Then she met your father, Rodger.
Growing up as I did, you develop a series of senses which normal people do not have. One of those is a keen, almost supernatural awareness of a person when you first see or meet them. You can tell from their walk, from the angles of their smile. You know immediately who is a threat, who is a friend.
You might feel that I denied you the right to know your father, just as I was denied the right to know mine.
You would be perfectly right to feel that way.
I feel differently.
I do not expect you to forgive me. I do not need you to forgive me.
Katie, I know the following words will hurt. And I will not forgive myself for writing them but you must know:
Your father was evil.
He was not the sort of evil that I was used to, the kind that carefully and ruthlessly targets and destroys. No, your father was a chaotic, careless evil; a black hole with tendrils that ensnared and swallowed anyone who let it get close enough.
But he was quite an actor. He had a very nice smile, a soothing voice, a certain poetry and cadence that melted too-trusting hearts and won him many false friends who he would exploit along the way. Rodger was not stupid, by no means was an idiot, though sometimes he wanted people to believe he was. And he was afraid of those who saw him for what he was.
So, he told your mother lies, lies about both myself and Tia Carla. And she was young. I don’t blame her for believing him. At that age, it is so easy to believe that your family does not care about you, especially when they so adamantly oppose someone who you love. It is easy, when you feel love, which is so intoxicating and wonderful, to follow it.
And so, your father took her from us.
And it was a long time before she looked back.
I’ve loved too, Katie. I’ve been married twice now, and I loved both of my wives with all my heart. Allie left me because I was morose and poisonous, and I left Deb because she cheated on me, probably for the same reason that Allie left me.
I am telling you this because as horrible as things may get, I never want you to blame your mother. You too, will grow to be wild and foolish. You too, will make mistakes. We all do.
If you must hate anyone in all of this, I pray that it will be me.
Never, for even an instant, should you blame your mother, who loved you more than you will ever know.
She had you after she had been with Rodger for three years. Rodger had indulged in every vice you could imagine, because he had your mother as a tether and pillar of stability. Drugs, prostitution, nothing was too low for Rodger.
When I first saw your mother with a bruise, I did not give her the chance to answer a question. I did not ask her one.
A door comes off its hinges with one strong kick to the right place. A man who is high is not fast enough to dodge a fist. If his mouth is swollen and bleeding, he will not be able to ask why.
I let him know that if he ever hurt my sister again, I would kill him.
I had done it before, I told him.
This scared him enough, I believe, for two years.
And you were born.
God, your mother loved you so much. I loved you so much. So did Tia Carla.
Your mother wanted a baby to do good in this life, to make someone better than herself. Someone who she could to right by.
Rodger wanted leverage.
You are too young to remember, the way he used you to extract money from us. He would tell us things you needed, supposedly needed, and he would use the money to find his high. He would threaten to stop me from seeing you, to stop Tia Carla from seeing you.
I wasn’t going to let that happen.
And…Katie, it broke your mother’s heart how he began to treat you both. He ignored the two of you, leaving you with a dirty diaper for hours while your mother was at work. He would scream at you when you cried, if you can imagine something so horrible.
Gabbi would tell me all of this, crying in the dead of night over the simple cup of tea that I made her.
And I would tell her, beg her to take you and run. To come to us, to live with us.
But she couldn’t. And I knew that.
So, she began seeking her highs with Rodger.
Maybe she was too sad. I wonder if I had stolen you, if I had forced her to leave him, would she still be alive? If I had acted sooner…would you have ever known the incredible woman your mother became?
You’ll hate me for that, too.
Her death was hard on me. Hard on Tia Carla.
We tried to get custody of you, but there are so many laws and all of them are slow moving. And all the while, Rodger kept threatening to neglect you and take him wherever he went.
He had forgotten to be afraid of me.
And I used that, the way he used so many people.
I hope that, one day, you’ll visit me in jail. I hope that you’ll put your little hand up to the glass, and I’ll put mine there with it. I hope that it will be just like when your mother held my hand, when she smiled and told me that I was far too serious.
If you don’t, maybe you’ll see me when I get out, be it in 10 or even 30 years. I have daydreams of you having a family of your own, of Tia Carla having raised a woman who will be worth every ounce of pain that came into making you. I pray for a woman created by destiny and nurtured by incredible love.  
And you may not believe it, but I love you.
I don’t know when, or even if, Tia Carla will show you this letter. I wouldn’t be surprised if you don’t know my name, if Tia Carla has told you a loving fiction to shield you from the truth. But I want you to be able to know, if you so choose.
I’ve already denied you so much, it’s not fair that I deny you anymore.
Please be good, be kind to others, and be better than we ever were.

Forever with Love,
           
Uncle Javi. 

Saturday, December 24, 2016

Folklore

Folklore
By S. L. Edwards

He put out so many lights around the cabin. The lights were colorful, glittering, joyous and all that good holiday bullshit. He had a snowman that waved, a reindeer with a red glowing nose and a green wreath that flickered like a pond in the sun. But there was no sun, this was the darkest time of the year, when the world seemed to hurtle through space a little longer.
            It was no coincidence the old Christians moved their holiday to this time of year. Justin had seen the true face of winter, the evil that seeps out from between the cracks of blackness between the stars, the howling monstrosities that were contained in human memories only as “legends” and etchings in old books. Every step in human civilization had culminated in the invention of the lightbulb, and Justin had been curious (or foolish) enough to try and peak behind the false security curtain of civilization. Moving Christmas was about countering, not converting.
            It had been one whole year since he lost his family last Christmas. The only thing that kept him going now was his mutinous sense of self-preservation.
            His little ten acre plot was covered in lights, strung up in brilliant spider webs through the trees to make up for the absence of nighttime stars. Everything was terribly, awfully still as snow seemed to accumulate out of nowhere on the ground. Nothing fell, and nothing spoke save for the slow, nervous tapping of an awkward clock.
            The moment dawn came he would be safe. He could go back home, no one would get hurt.
            A little lamp next to him went out. He felt sweat underneath his hair, scratching across every part of him like stinging-rat claws. He heard himself sobbing pathetically, scared to death of the prospect of living this night every year for the rest of his life. Outside, the darkness was at bay, but no dark corner would do for Justin. He took a bulb from the pile of cartons on the living room table. His hands were shaking, and with muted curses he finally managed to screw the thing in. He turned the lamp on.
            There was a loud hiss.
            Each light went out at once.
The instant change was too much; he couldn’t see his hands in front of his face! He clawed at the floor and recited every prayer spell that he had memorized since the year before, each syllable streaming together into one pitiful, meaningless mad sound.
With nothing to hold it back, the growling came from across the sightless room. There was a heavy, husky-horse breathing that filled the air. There was the scraping of something long and sharp against the floor. He could smell the wet fur, the still bleeding wound that he had given IT last year.
There was an electric hum and whirr as the lights exploded to life. Justin laughed hysterically, seeing that he was alone in his cabin.

When they went out again, he wasn’t. 

Wednesday, December 14, 2016

What You Got: Ravenwood #1

What You Got: Ravenwood Quarterly #1

Story time: Around December 2014, I decided that the world had just about told me to give up on writing fiction. I was entering a very new chapter of my life, moving and beginning what will ultimately become (I hope) a life-long profession. And I had tried, “Lord knows” I tried. I finally saw a ray of light about a year prior to giving up, when a certain publication I had day-dreamed about being accepted one of my publications and shortlisted another. It was the place of Lovecraft, Howard, Tennessee Williams. You know the one.

Well that publication abruptly shut down, and I never did hear back.

Earlier this year, I began sending in fiction once I discovered “the horror tree” run by Stuart Conover. I found Benjamin Holesapple’s Turn to Ash, and found Ravenwood through “people also like” list. I read the guidelines and thought that my story “Movie Magic” (more on that later) might fit what the editor was looking for. Like a professional, I sent the story off to “Mr. Neisler” (I was a young and naïve back then). Travis Neisler got back to me by the end of the day. He loved my story, wanted it, but could not fit it in. Unfortunately, Ravenwood #1 was full, but he wanted it for #3.

A few happy accidents later, “Movie Magic” squeezed its way into Ravenwood #1; “Skins” and “The Cthulhu Candidate” made their way into Ravenwood #2, while my poem “Carcosa” is on the outside cover with an absolutely astounding piece of art from Mutartis Boswell; and my story “Meeting the Matchmaker” will be in Ravenwood #3. There are other Ravenwood plans, things that I have sent in and things I have not, and I am eager to see these long-term projects to fruition over the years. But more than that, I have been humbled by Travis and his co-editors, especially my fellow authors.

Like many of us I suspect, I have acute self-criticism and doubt when it comes to my own work. Praise has always been difficult for me to accept, and I wish I could say it has gotten easier with acceptances and recent successes. But I don’t know if it ever does. I can say, however, that it has been an absolute thrill to be part of this very special publication.

2016 comes to a close, and it only seems fitting that I discuss the very first publication I was accepted to this year, the one that re-lit that sacred fire under my ass. What follows is a brief survey of the contents of Ravenwood Quarterly #1, some thoughts on what the Magazine will come to mean, and all around praise from yours’ truly. I’ll close out with a discussion of my story “Movie Magic.”

The Contents: Taking a glance at the names, the frequent reader of indie horror will recognize a few right away. Many have developed their own consistent and well-deserved readerships, and I am honored to be in several more issues and anthologies with them.

Reading through the stories, it is pretty apparent that the vision of Ravenwood is a brutal publication. This is not to suggest that it is gory, but rather this is horror at its bleakest. The stories range from artistically nihilistic to horrifyingly true in their themes, leaving the option of readers to take them as unsettling metaphors or more.

What I find most remarkable is the effort Travis Neisler took in organizing stories by overarching themes and tones. Between “The Proud Shall be Abased” and “Thou Shall Kill,” there are stories of corruption, contamination, grief and abasement. From “Though Shall Kill” to “Stalker” murder reigns supreme. Such threads run throughout the magazine, and I’d like to think that my own story contributes the overall picture. I think, however that mine may be an outlier amongst all of this quality literature.

As always, I will try and avoid spoilers in my discussion. Though Ravenwood #1 is sold out, I would be very surprised if these stories did not resurface in another time, in another place.

The Proud Will Be Abased by Joseph Bouthiette Jr.  I believe that placing this poem at the very beginning of the publication sends a very direct message to the reader. This is not horror due to monsters, this is not horror due to gore. This is horror due to horror, a bleak dirty and bleeding world is hurtlingly in vaguely circular patterns around a dying flame in the middle of a vast blackness. Nothing to be done about that. So shut up, and keep reading.

Cruel World by Christopher Ropes The story that Mr. Ropes presents is succinct and damning. This is a journey down a dark path, through the veil of reality and into what we can only assume is the true world which overlays that of the characters. The final line is one of the best I have ever read.

The Black Parade by John Paul Fitch Tonally and thematically, this story is quite similar to Cruel World. Rather than suffer for it, the energy one gets flows throughout the entire volume. John Paul Fitch writes like a pugilist, and a story of grief is given such profoundly tragic and horrifying imagery that the story sits at the bottom of your stomach for hours after.

Thou Shall Kill by Roger Keel This is a noir piece, though it is right at home with the horror. Reading it, I look forward to seeing what Ravenwood #3 (the noir/horror issue) has in store. As with The Black Parade, I kept thinking of the title of Boutthiette Jr.’s poem. “The proud will be abased.” This seems to ring throughout the story. Murdered girls, crooked cops, a sacrifice beyond murder.

Stalker by Dave de Burgh Rolling into the theme of murder, Dave de Burgh tells the story of obsession. The objects of the success are unnatural, but as to the what and how I will not say. Blood is aplenty in this one, as is revenge, as is the horrible truth of a dark and carnivorous world. Streets where monsters walk.

Lonely Hearts Club by Betty Rocksteady Is it body horror? Is it a metaphor? All I know is that I had a maniacal, horrified smile on my face the entire time. This is something you won’t forget.

My Mother’s Skin by Brian O’Connell I don’t think I’ll ever forget this story. There is a touch of magical realism here: a house by the sea, a disappearance. O’Connell’s use of symbolism is artful here, especially in regards to the catalysts of domestic violence. There is tone aplenty here, but rather than mere terror it is despair. Profound, lonely despair. In a house by the sea. In another’s skin.

The Horizontal Masochist by Jordan Krall A very brief demonstration of the economy of the words. The reader is taken from their comfort and firmly placed to observe the peeling of reality. Dabs of sci-fi and a giant swath of cosmic horror.

The Shaft by Roger Keel Another crime story from Mr. Keel. The story seems to have quite a lot in common with one of my favorite Saki stories “The Interloper.” The irony serves everyone but the main character well.

Saturnalia by Anthony Crowley This is one of the longer stories in the first volume. A few traditional horror motifs are twisted and made new in this one. It’s remarkable how much you come to identify with poor George, though you’re not exactly sure you should.

Oraculorum Pythonissa by Michael Faun This one rests on the border between prose poetry and short fiction. I cannot wait to read more from Michael Faun, based off of this very brief piece.

The Pit and the Void by Alex S. Johnson An excellent touch-up on Poe’s “Pit and the Pendulum.” But throw in some sci-fi, a healthy dose of the occult, torture redefined for the future. And, just for kicks, some horror-in-nothingness. The story speaks to poetry, and I don’t think anything further needs to be said.

Ink Spots by Sam Gafford Another of Ravenwood’s lengthier tales. This story is an excellent haunted house tale, and a show-stealer in Ravenwood #1. It goes through enough motions to be familiar, with enough creeping horror to subvert and overthrow reader expectations.

Christmas Eve in Arkham by Brandon Barrows Barrows kicks off the Lovecraftian portion of the anthology. His story does not disappoint, humor and coming of age against the backdrop of a dark road trip and dangerous hotel room.

The Terrible Old Friend by Matthew M. Bartlett To be honest, it does not seem at all fitting that I comment on this story. It fits in to Bartlett’s greater Leeds mythology, but I have not read enough of him yet to comment further than that. The story did, however, prompt me to immediately open Gateways to Abomination and I have not yet put it down. There is a manic horror in Bartlett’s prose, and Leeds has earned its place as an enduring horror local.

Transylvania. Innsmouth. Leeds.

The Annotation of James Ingraham Host by Peter Rawlik This one is cool. This one is REALLY cool. A faculty email at Miskatonic University unfolds into a story about horror and horror fiction. I won’t say any more than that.

Monday Morning by Russell Smeaton A board room with a very specific agenda. A meeting that you cannot miss. I’ve had the pleasure of reading a bit more of Smeaton’s work (his “The Street” is required reading, you can find it in the second issue of Ravenwood) and he does very well at mixing humor and horror. He has all the makings of one of my favorite authors, Robert Bloch.

Movie Magic by S. L. Edwards

So, then we get to me. This is hard for me, as the rest of the fiction in this volume is outstanding. No matter what is said about “Movie Magic,” it will always be one of my pieces, and thus quite dear and yet deeply flawed to me at the same time. But, it was my first accepted piece of fiction (though “I’ve Been Here a Very Long Time,” made is my first published story…I’ll give a write-up on that one later) and thus will always be special to me.

“Movie Magic” was my attempt to write a love-letter to the horror-genre in all of its forms. The story focuses on a date between the narrator and “Camilla,” a young woman who shares an interest in horror movies and Thomas Ligotti. The story is smattered with horror references, foremost amongst them being the name of the theater in which the two characters go on their special date: “The Haunted Palace,” of course named after the poem read in Poe’s “The Fall of the House of Usher.” It was also inspired by urban legends of “hauntings” taking place during screenings of “The Exorcist.”

It was my attempt to meditate on the importance of horror on the meanings of monsters. I cannot be sure I succeeded, but at least two people have told me they enjoy it. 


Ravenwood will become synonymous with brutal horror. I am so glad I did not miss being a part of it, and I cannot recommend that you miss out either. Right now, Travis is taking submissions for both Issue 4 (Goat Worship) and Issue 5 (Yellow). Should plans hold, you will see one of my favorite stories I have ever written appear in Issue 4, something particular and personal to me. As for beyond…well…somethings take time.

All of the best,

S. L. 

Tuesday, December 6, 2016

I've Taken Up Poetry

I’ve Taken Up Poetry
By S. L. Edwards

I cast the line out and the water ripples
Silent waves and clear-whispering riddles.
I tilt my hat, and lean back in my chair
Relaxing and foregoing all of my cares.

The straw hat is rough but I cannot feel
My nerves are beneath a skin like steel.
My purple skin soaks up the lights
As I think about long gone nights.

 You wouldn’t know it but I wasn’t so nice
With a fist like iron, and a soul of hard ice. 
From the edge of the galaxy I watched and waited
All of their moves, loves and plans were anticipated.

With my army of Darkness I sought to sweep
All of the Earth and claim the spoils for keep.

…

It was intolerable. Those lame, lazy louses!
Those half-hearted, dribbling idiots saved by “heroes”!
The word is bitter salt in my mouth… “heroes”!
These insects with painted up faces, going around in costumes
Plastered with initials and symbols on their chests…
Wearing their underwear outside of their pants…
My reality is tantamount to perfection!
A world ruled by me, and all suffering ended through the destruction of free will!

…

Sorry, I forsook my godhood and picked up a pole
And slowly but surely adjusted to a new sort of role
In which I gave my ambitions away
And simply sat and laid about all day.

I’ve noticed earth’s sun is a beautiful yellow
Unlike Titan’s cold, rusted, iron sun
Your human sun is bright, fantastically mellow
Whereas Titan’s sun, is simply done.

That was part of the reason I left Titan for dead
And began my old empire, my new name of dread.
“The Bone Empire” was a name to be feared
And my ascent into godhood gradually neared.

My name was “Volos” the vanguard of all
And one by one worlds fell fast to my call.

…

It is no hard thing, to kill a god.
One must simply reach the most hidden places
The brightest, sacred, hidden away spot of the mind.
There, in sanctum cerebrum a person holds their belief
Their faith. Whether this be of a god, others, or themselves
Is of little importance. Crush that faith, and the nothingness is sweet.
And in that quiet, little empty moment, a person breaks and the world
Is made stronger on a foundation of bones.

…

The great alien warlord Volos pulls in his line
Fishing quietly, in order to merely pass the time.
I cannot die, not in a human timeframe
And there is no one to carry on my name…

But on Tuesdays I take time to paint.
My inspiration is clear, without taint
In my lovely lonely, riverside house
I have no reason to want to go out.

I know there is nothing out there,
In the sky there is only empty air
Most cannot breathe it, it is slow-choking.
A quick death, something worth hoping.

I rode the frigid snail waves of outer space
When I left Titan, and annihilated my race.

…

My army was ready, the pieces strong!
Earth was just to be another battle ground…
Tokyo was clouded in infinite shadow
As I mumbled my secret prayers
And opened up a door for my god.
A being which promised me immortality.
Immortality is not all that it is cracked up to be
When you get beat by men in costumes!
…

Men! The thought makes my rage boil.
Old plans in my mind grow and uncoil.
A thousand serpents writhe in my heart
As I remember my old, destructive art.

I sigh, and a take out my stress ball.
I squeeze it, and slowly forget all.
Tomorrow I will be making terrible pottery
And checking the numbers for the “lottery”.

I have forsaken “Volos” and gone with “Tim”
My days of world conquering, gone and dim.
I quickly reel in my line with nothing on it.
And in my grating voice say “Dog gonnit.”

I put on my hat, scream and shake my fist.
Next week my catch will be better than this. 

…

Fish of earth! You think you can defy Volos?
Volos, catcher of Bass and eater of Catfish?
Volos, who eats his fish raw and whole
Between his razor teeth after tenderizing them
With nothing but 20 pound hands?
Well I wonder, fish of earth, if any of your number are like them
Any costumed heroes, swimming down there?

If so, I will go hungry.

What You'll Get: Miskatonic Dreams

What You Get: Miskatonic Dreams

Alban Lake’s Miskatonic Dreams is a mixed bag not in terms of quality, but in the variety of the stories. A common theme that runs throughout is how reality might adapt to Lovecraft’s themes and creatures. Indeed, despite several “world-changing” paradigms, mankind has either in the large part adjusted or ignored. It is no stretch then, that Lovecraft’s world would keep spending in spite of indifferent alien “gods,” mind-eating texts or commerce between aquatic races. All of the tales are high-quality, though not all are necessarily "horror." I think placing them together creates a more holistic idea of a universe, and a great way to take Lovecraft's baton and run with it.

To this end, Miskatonic Dreams assumes much of the horrors of academia and all of the drudgery and dread that this entails. We have romances in the forms of “Bridges of Arkham County,” by Guy Riessen and “How I Died,” by Jill Hand. We have what I might call “routine occurrences of horror” (unique to the Miskatonic Campus) in the stories “Residue,” by Gregory L. Norris and “Authorised Libraries Only” by DJ Tyer and “Your Special Advocate” by Chad Eagleton. These stories do a lot to emphasize how reality might adjust on a day-to-day basis in Lovecraft’s world, how mankind might move forward from knowing it is nothing but a cosmic speck. Then we have the “what happens after dark” stories such as “If these Shadows Could Talk,” by James C. Simpson and “Those were the Days” by Robert J. Krong. We have two truly terrifying tales that seem to invert Lovecraft’s themes in “They Come Crawling,” by Logan Noble and “The Accursed Lineage” by Aaron Vlek. Then there is a fun ghost story by Eric Taranago, “One Last Death.” And finally we have some unique correspondences such as “Dear Mother and Father” by Dave Schroeder and “Miskatonic University Updates” by Lyssa Wilhelm.

My meager contribution, “The Darkness Makes Us Whole,” is not as genre challenging as the others. But should you enjoy it, I will be very pleased.

Overall, this anthologies demonstrates that Lovecraft’s shadow across horror is as much a playground as a place of confinement. It is rewarding to step inside its outline, to build things up, and to watch other writers do so as well.

You can find a more extensive post about Miskatonic Dreams on Gregory L. Norris’s blog here: http://gregorylnorris.blogspot.com/2016/11/behold-miskatonic-dreams.htmlYou can also buy Miskatonic Dreams on the Amazon link here: 
https://www.amazon.com/Miskatonic-Dreams-H-David-Blalock-ebook/dp/B01N3UXBZ3/ref=sr_1_1?ie=UTF8&qid=1481047976&sr=8-1&keywords=miskatonic+dreams
Or, directly through Alban Lake: http://store.albanlake.com/product/miskatonic-dreams/

-S. >